Archives: Exhibitions

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Alistair McDonald

We are pleased to invite you and your guests to the opening reception of Alistair’s inaugural solo exhibition.

Alistair McDonald
‘In The Style of Hiroshige’
Opening reception: Thursday 3rd June 5-7pm

rsvp: ron@exhibitionsgallery.co.nz

‘I got hooked on the ukiyo-e (woodblock prints) style through an exhibition of Ando Hiroshige’s fans at the Victoria & Albert Museum in London – bold flat expressive colours, clean line drawings and stories of another era and culture. I have tried to imagine how Hiroshige (1797-1858) and his contemporary Hokusai may have shown views of modern Wellington, Auckland, Queenstown, Wanaka, Sydney, Melbourne and Taranaki if they were alive today’. – Alistair McDonald

Matthew Snowden

Mathew Snowden

Selected works still on show.

Born in Heswall, Merseyside in 1969, Matthew has been a full time professional artist for over 25 years.

He studied at Withens Lane Art College in 1989 followed by Industrial Design (BA Hons) at Teesside University, 1990 -93.

His bold paintings executed exclusively with a palette knife in impasto acrylic have attracted a wide following amongst art collectors in Europe.

Julia White

Introducing Julia White

Now Showing

Exhibitions Gallery, 20 Brandon Street, Wellington

 

Pop-Up Gallery

Exhibitions Gallery Pop-Up Featuring George Loizou

76 Mercer Street, Wellington (cnr Mercer and Willis)

enquiries: ron@exhibitionsgallery.co.nz

Phone: 021 062 2072

Hours: by appointment

“I am a ‘70’s’ baby, born and raised in Wellington, with a Greek Cypriot/Lebanese background, and like many New Zealanders’, have travelled extensively.

As soon as I was able to hold a pencil, I would draw, and at the age of four, I was drawing cars in 3D.  Since completing a Graphic Design course at Wellington Polytechnic/Victoria University, I have spent numerous years in the design industry but have recently come to a stage where I would prefer to create for myself.

Although all of my individual works share common aspects, I strive for each piece to express different feelings and often employ different techniques.  Through the process of building up layers and decisions around composition, the creative force stays within themes grounded in ideas of mortality and isolation. Primarily ‘moody’, each creation is dark, but also, in some way, optimistic!

Produced on specially imported polyester canvas material with a solvent-based ink, each piece takes two weeks to dry, due to the richness of the blacks”.

Peter Hackett

We are pleased to invite you to view Peter Hackett’s 2020 exhibition.

Venue: Exhibitions Gallery of Fine Art, 20 Brandon Street, Wellington

enquiries: ron@exhibitionsgallery.co.nz

Phone 04 499 6356 or Ron 021 062 2072

“From a very young age I pursued a career in the fine arts, specialising in drawing and painting in every school I attended during my formative years.”

After leaving the compulsory constraints of high school art classes I travelled to Paris, France earning a scholarship in sculpture, painting, printmaking and life drawing whilst studying under some of the most respected names in the Parisian art world such as Camillo Otero and Susanne Runacher. The sweet taste of student life in a liberal art school like The Paris American Academy became the catalyst to the unrestrained experimentation evident in my work for the next ten years.

From 1990 to the turn of the century the experimentation gave way to a recognisable style and a preoccupation with extending my technical range instead of pursuing a narrative. I seek to establish a dominant theme to my work, concentrating my efforts on maturing the subject matter and technique without surrendering to the influences of social trends.

“I have been a finalist in several major art awards including the Air New Zealand Art Award, The Nola Holmwood Memorial Portrait Prize, The Eider Este Art Award and have also received a silver medal in the Duke of Edinburgh Award. My predominantly large works have been exhibited in France, America, Australia, and New Zealand with consistent public interest and I have been rewarded with a faithful customer base.”

John Badcock

Portraits and Landscapes

John Badcock is a well recognised name in New Zealand Art. He is from an extremely artistic family, and first began painting with his father, Douglas Badcock, in Queenstown over 45 years ago. He has been working as a professional artist for more than 30 years and has had numerous public and dealer gallery exhibitions.

His works are held in major public collections including The Hocken Library, Dunedin, Christchurch Art Gallery, New Zealand Portrait Gallery, Wellington, Aigantighe Art Gallery, Timaru and Andersons Park, Invercargill. He also has work in the Sackman Corporation collection in New York.

John’s artwork is identifiable by his heavily applied and beautifully sculptured use of rich oil paint on board. These rich textural paintings illustrate the skill of John’s ability to form fields of grasses and seeding flowers, stunning portraiture or the bold form of intricate Victorian architecture from paint that is almost “falling off the canvas”.

John has numerous awards to his name from throughout New Zealand and in 2007 he was selected for the Archibald Salon des Refuses exhibition in Sydney, Australia.

Early in 2015 John was included in the top 10 Great Artists from New Zealand list, compiled by theculturetrip.com and joins the other great artists such as Bill Hammond, Jason Greig and Kushana Bush

Exhibitions Gallery of Fine Art, 20 Brandon Street, Wellington

Enquiries: ron@exhibitionsgallery.co.nz or Phone 04 499 6356

Tony O’Keefe

Tony O’Keefe: ‘The Life of Normals’

Selected work still on show

Exhibitions Gallery, 20A Brandon Street, Wellington CBD

enquiries: ron@exhibitionsgallery.co.nz

Phone (04) 499 6356 or Ron 021 0622072

Tony O’Keefe’s latest series is essentially a study of the perpendicular. The Life of Normals looks at the values, forms and rituals that derive from the special distinction of being upright.
Presented as a set of evocative vertical tableaux the collection balances figurative and abstract elements to portray apparently familiar events. Knowing that the viewer will inevitably see themselves in these scenes
O’Keefe introduces ambiguous and disruptive volumes which challenge us to rethink this perception. Is every tower necessarily an abode? Is that really just a briefcase?

In the course of the design and creation of each artwork O’Keefe simultaneously develops a complex milieu of ideas, symbols and references. This narrative is continuously drawn back into the sculpture influencing its final expression. “I regard the completed sculpture and its syndetic story as the same piece of art,” says O’Keefe. His art frequently alludes to Christian tradition, historical events, social and ideological commentary.

Working from his zero waste studio on an organic estate near Queenstown, O’Keefe enjoys both the company of farm animals and the intensely private world of arc welding. Describing his medium of steel as
obstinate’ he wrests remarkable character from the material. The apparent conformity of his population hides the fact that each figure is unique. Created individually at the artist’s hand by the violent and random
forces of high voltage and molten steel.

Insisting that art is a mutual, multi-sensory experience O’Keefe invites people to enjoy the tactile dimensions to his sculpture and says that, unlike most exhibitions, the message here is: “Please Touch the Art”.

Artists in Lockdown – The Exhibition

Artists in Lockdown – The Exhibition

Due to the immense interest and response to the ‘Artists in Lockdown’ social media series, we are excited to follow up with an exhibition born from this unprecedented period of our lives. The exhibition includes supporting material alongside the artworks and a full catalogue.

The artwork and the artist’s feelings, reflected that of many of us, and the resulting body of work is a celebration of the resilience and fortitude of the ‘team of 5 million’. In the end, an endearing optimism echoes the underlying strength that permeates our collective Kiwi psyche.

Exhibitions Gallery, 20 Brandon Street, Wellington

Phone 04 499 6356 or Ron 021 0622072

enquiries: ron@exhibitionsgallery.co.nz

Paul Vincent

Paul Vincent blah bah blah:  exhibition on from Tuesday 30th June

we are pleased to invite you and your guests to meet Paul Vncent at the opening celebration of his new exhibition ‘Blah Blah Blah’.

rsvp: auckland@exhibitionsgallery.co.nz

or phone Ngaire 021 415 449

Venue: Exhibitions Gallery Auckland, 19A Osborne Street, Newmarket, Auckland

Artist Statement

Paul Vincent has blah blah blah, many refer to him as blah blah blah blah. He enjoys blah and blah. “Painting for me is blah blah blah blah”. He studied blah blah blah at the blah blah blah centre. Since then blah blah blah blah he has work at blah blah  and blah…

Sally Barron

Sally Barron – Selected works still on display!

Exhibitions Gallery Auckland, 19A Osborne Street, Newmarket, Auckland

auckland@exhibitionsgallery.co.nz

or phone Ngaire 021 415 449

Sally Barron was born in Whanganui, moving to England age 13 and attending University in Leeds and The Royal College of Art in London. In 2004/5 she returned with her family to live in Nelson where she is working and teaching.

She works almost exclusively in oils, with key themes exploring our relationship with memory and the environment, balancing figuration with the abstract.

Recent works describe the nature of childhood in a New Zealand landscape, using a vivid colours and gestural techniques influenced by post-impressionists such as Bonnard and Matisse, as well as strong abstract elements from artists like Rauschenberg and Diebenkorn. She is inspired by the local scenery and stories, artists and memories from the past and future.

There is ample room in the gallery to view the exhibition while maintaining appropriate social distancing. We are also available by appointment, for groups of 10 or less (from the same social bubble) wishing to view the work outside of our normal opening hours.

Alicja Gear

We are pleased to invite you and your guests to the opening reception of:

 Alicja Gear’s ‘Catchpool’

Thursday 6th May 5-7pm

rsvp: ron@exhibitionsgallery.co.nz 

These serene works open spaces of quiet contemplation.

They are grounded in nature where you can almost hear the leaves moving and the water chattering.  On closer inspection the brushwork in these pieces are loose and expressive. The medium itself is exploited through the layering of paint and the marks themselves. The layers of paint are varied and built up with strong colours that eventually give way to the softer tones of nature, just hinting at what lies beneath. The individual brush marks are varied in weight and importance, thus creating movement and giving life to these scenes.

This is the first series of Alicja’s work to explore the Catchpool valley in the Remutaka’s. The valley is rich with inspiration with a river, nikau grove and mature podocarp/broadlead forest.

Alicja paints in her studio in Plimmerton between raising her three young children.

Meredith Marsone

We are pleased to invite you to view Meredith Marsone’s 2020 exhibition.

‘An Invitational to Reconnect with Your Kaitiakitanga’

Venue: Exhibitions Gallery of Fine Art,  20 Brandon Street, Wellington 6011

enquire:  ron@exhibitionsgallery.co.nz or phone (04) 499 6356

Artists have always contributed to social commentary, holding up mirrors, reminding of things often overlooked or ignored. In viewing this work, my extended-hand is for you to remember your connection to the land.

We are in an unprecedented time. Whether you believe in climate change or not, we are violating our relationship to the ecosystems that sustain and nourish us. Some on our planet are already experiencing massive disruption. This body of work aspires to remind us all of our origins, our intrinsic residence in this natural world. We all come from the earth, and we will return to the earth. May we deeply know that we all came from the same molecules that make up the soil, our food, and that one day we will return those molecules to the earth. To begin again.

My quiet hope is, in that understanding a reverence may be born that will mean we can no longer treat our home, land, and sea any different than our own bodies or each other. All life may thrive, the air may heal, our ecology may rejuvenate. It is that fundamental. Urgent. Today and now. What you do matters. How you see your place in the world, matters.

 

 

 

George Loizou

We are pleased to invite you to view George Loizou’s exhibition.

Opening Wednesday 2nd December 5 – 7pm

Exhibitions Gallery, 20A Brandon Street, Wellington CBD

Phone (04) 499 6356

“I am a ‘70’s’ baby, born and raised in Wellington, with a Greek Cypriot/Lebanese background, and like many New Zealanders’, have travelled extensively.

As soon as I was able to hold a pencil, I would draw, and at the age of four, I was drawing cars in 3D.  Since completing a Graphic Design course at Wellington Polytechnic/Victoria University, I have spent numerous years in the design industry but have recently come to a stage where I would prefer to create for myself.

Although all of my individual works share common aspects, I strive for each piece to express different feelings and often employ different techniques.  Through the process of building up layers and decisions around composition, the creative force stays within themes grounded in ideas of mortality and isolation. Primarily ‘moody’, each creation is dark, but also, in some way, optimistic!

Produced on specially imported polyester canvas material with a solvent-based ink, each piece takes two weeks to dry, due to the richness of the blacks”.

enquiries: ron@exhibitionsgallery.co.nz

Mervin Singham ‘my covid-19 bubble’

We invite you to view a selection of artworks from Mervin Singham’s new book:

my covid-19 bubble NARRATIVES’

Exhibitions Gallery, 20A Brandon Street, Wellington CBD

enquiries:  ron@exhibitionsgallery.co.nz

Phone 04 499 6356

When the Covid-19 crisis became real for the world in March 2020, a close friend of mine shared her wisdom with me. She said while we might be devastated by the crisis, she likened the catastrophe to that of a volcanic eruption. She said, ‘volcanoes wreak havoc with their spectacular eruptions, but from the same fiery source come rich and incredibly fertile soils that set the world for rejuvenation and growth’. Her words were a great comfort.

Over the coming weeks, the crisis generated many thoughts and emotions that became the rich ‘soil’ for the spectrum of paintings I created in this book, often with my beloved dog, Bali in the studio with me.

Source: Forward to Mervin’s book ‘my covid-19 bubble’

Ron Hall

Ron Hall Exhibition – Bee Waggle

20 A Brandon Street, Wellington 6011, Phone 04 499 6356 or Ron 021 062 2072

enquiries: ron@exhibitionsgallery.co.nz

Artist Statement

My recycled beehive work is a reference to our NZ landscape.

The beehives have been in a specific NZ locality and climate and this has altered the painted surface. I quite often see this weathered surface in an abstract, poetical, musical way. The wooden hives, to me, are not simply a home of the bees but evoke various memories.  These memories are triggered by the wonderful honey smell, arrangement of the wooden pieces and of course the textures of the weathered painted surfaces.

The woods include macrocarpa, the traditional shelter tree with its strong smell;   the historic native wetland tree the kahikatia and the ubiquitous pine. All these types of woods add a cultural layer to my art work. The industry of beekeeping and the vital lives of our bees, also add another significant layer.

What really floats my waka is the wonderful textures of the painted, weathered, and repainted surfaces that challenge our idea of what painting is. How is it that such random painting carried out by apiary workers produce such unexpected beauty? – Ron Hall

Kate Beatty

We are pleased to invite you and your guests to view Kate Beatty’s new exhibition.

Exhibitions Gallery, 20 Brandon Street, Wellington

phone 04 499 6356

Kate’s most recent body of work has been inspired by her research into Maori bird legends.

Her intention behind these paintings is to display the mana behind maori symbolism and NZ birds.

The depicted environment is made up of multiple lines and dots created from multiple viewpoints to create a vortex in which the birds and maori symbol connect to enhance the mana and meaning of Maori bird legend and symbolism.

Similar to Maori legends these depicted birds (Nga manu) are represented as messengers from the Gods of the heavens. The birds receive the mana and matauranga (wisdom) of the Koru (representing rebirth, growth and regeneration), Pikorua ( representing the path of life , loyalty and a symbol of a strong bond between two loved ones) and Matau (representing prosperity and safe travels over water) which is relayed back down to us on earth.

Kate has worked with the subject matter of NZ birds and flora since her studies back at the School of Fine Arts. She graduated in 2014 with a major in painting.

Kate also paints portraits of NZ birds within a wallpaper-esque background. These portraits are a depicted interpretation of the individual birds’ personality and characteristics.
Colour harmony and colour saturation is a great interest of Kates and she uses this in the way to exaggerate certain physical characteristics of the birds. She also plays with the colour harmony between the depicted bird and wallpaper-esque backdrop which unifies the work and creates an inviting aesthetic.

The flora patterning effect is layered in a way that Kate pushes some of the pattern into the background by painting over the image; some is painted into the mid-ground and then painted in more detail bringing it into the fore-ground. This gives a visual push pull effect which creates a complimentary yet uncanny environment in which the NZ bird/birds are posed.

 

enquiries: ron@exhibitionsgallery.co.nz 

Brent Redding

Brent Redding exhibition now showing

There is ample room in the gallery to view the exhibition while maintaining appropriate social distancing.

Although we are not having our usual exhibtion opening evenings at the moment, we are more than happy to be available for groups of 10 or less, wishing to view the work outside of our normal trading hours.

To make a booking email: ron@exhibitionsgallery.co.nz

or phone Ron (021) 062 207

Venue: Exhibitions Gallery of Fine Art,  20 Brandon Street, Wellington 6011

I have always painted in more than one style, reflecting a broad set of reasons for picking up the brush. These vary from a desire to capture the colour and light of the world around me, to interests in pattern and design, sequences, capturing movement, and occasionally making social comment. This variety of objectives, combined with variation of medium and technique, has created quite an eclectic body of work. I also teach painting, and years of analysing and solving painting problems of students seems to have extended my own interests and capabilities, further encouraging this eclecticism.

 

 

Patterson Parkin

We are pleased to invite you to view Patterson Parkin’s  2020 exhibition:

Venue: Exhibitions Gallery, 19A Osborne Street, Newmarket, Auckland

enquiries:  auckland@exhibitionsgallery.co.nz

(09) 523 5560 or Ngaire 021 415 449

At the intersection of music and visual art, an alchemy takes place between the two practices. Both inspiring and influencing each other’s forms, shapes, with colours, textures and notes resonating in contrast and harmony. It is impossible to believe that the two, either consciously or unconsciously do not form a symbiotic relationship.

Patterson reduces figures and musicality into arithmetical diagrams, breaking up and re-assembling them into abstracted and unexpected formations. At the same time, he maintains a figure recognisable amongst the new order, although viewed from a new aesthetic. All the while miraculously combines balance and movement with a glorious range of colour.

 

Piera McArthur

We are pleased to invite you to the public opening of: ‘The Death and Resurrection of Luigi Spinelli’
(and other stories…)

Thursday 24th September 5.00 – 7.00 pm

Exhibitions Gallery, 20 Brandon Street, Wellington. Phone 04 4996356

RSVP: ron@exhibitionsgallery.co.nz 

 

 

Kevin Dunkley

We are pleased to invite you to view Kevin Dunkley’s exhibition, ‘Country Comfort’

Enquiries: auckland@exhibitionsgallery.co.nz 

Venue: Exhibitions Gallery of Fine Art.

Exhibition available to view from Wednesday 2nd Sept 10.30 am

Address: 19A Osborne Street, Newmarket, Auckland

phone Ngaire (09) 5235560

 

Kevin’s retro subconscious trips back to his childhood, via his landscape paintings have taken on a fluency that reflects the accumulative years of dedication to paint.

Despite sell out exhibitions, Kevin remains grounded “I started out not having a clue what to do or how to do it, but by experimenting I have found a style I enjoy and I have become part of my paintings.”

Still non-specific; they are evocations of a mood rather than true recordings. Reminded of a place (or time) viewers often feel a very strong and personal connection to specific paintings.

Milan Mrkusich ONZM

We are pleased to invite you and your guests to view;

Milan Mrkusich ‘Chromatic Works 2003’

Enquiries: auckland@exhibitionsgallery.co.nz
or phone Ngaire (09) 5235560
Address: 19A Osborne Street, Newmarket, Auckland

Mrkusich is considered a pioneer of abstract painting in New Zealand and one of New Zealand’s most important artists.

These paintings demonstrate a dynamic asymmetry while presenting a solar colour sequence: Yellow, Orange, Red, Violet, Blue and Green.

There are six works in the Chromatic Series one for each of the colours in the sequence. All are 30 inches by 24 inches (762 x 610mm).

The larger Paintings (44” x 36”) consist of a series of four, being Orange, Violet, Blue and Green. Yellow and Red were omitted.

Milan Mrkusich Biography  

1925 – 2018

Born: Dargaville

Apprenticed in Commercial Art.

Designer for Brenner Associates, 1949-58.

Full time artist since 1958.

Gained wide recognition in the 1960s.

First retrospective show ACAG 1972.

Second retrospective ACAG 1985.

“Six Journeys” show ACAG 1996.

Awarded ONZM 1997.

Arts Foundation of New Zealand: “inaugural icon” 2003.

Major monograph published 2009.

Has exhibited in over 100 shows throughout the world culminating in the “Chromatic Investigations” at Aratoi, Wairarapa Museum of Art and History 2014- 15.

Has had two exhibitions previously at Exhibitions gallery of Fine Art in Auckland 2014 and 2015

 

 

Niels Meyer- Westfeld

Selected work still available to view:

Enquiries: auckland@exhibitionsgallery.co.nz or phone Ngaire 021 415 449

Niels Meyer-Westfeld is one of our most successful artists, he flings the word nature around a lot. But that’s as it should be for a man obsessed with the natural world around him…natures designs offer an endless stream of inspiration and for that reason I will never get tired observing our beautiful birds of New Zealand.

 

All original artwork is available as a limited edition fine art archival giclee print.

 

The Art of Dr. Seuss

Theodor Seuss Geisel a.k.a Dr.Seuss, requires little introduction.
He began his career as an editorial cartoonist in the 1920s and in the years that followed he delivered 44 childrens books, over 400 World War II political cartoons, hundreds of advertisements and countless editorials filled with wonderfully inventive animals, characters and Seussian humour. Whilst everyone may be familiar with Seuss book illustrations most of the public are unaware that Seuss was foremost a visual artist who painted and sculpted for his own enjoyment.

Geisel single-handedly forged a new genre of art that falls somewhere between the surrealist movement of the early 20th century and the inspired nonsense of a child’s classroom doodles.  The Art of Dr. Seuss project offers a rare glimpse into the artistic life of this celebrated American icon and chronicles almost seven decades of work that, in every respect is uniquely, stylistically, and endearingly Seussian.

Seuss always dreamed of sharing his “Secret Art” with his fans and had entrusted his wife, Audrey, to carry out his wishes once he was gone. Audrey, too, believed the work deserved further recognition and that Ted himself would some day be evaluated not only as an author, but as an artist in his own right.

In 1997, this dream was realized when The Art of Dr. Seuss project was launched. For the first time collectors were able to see and acquire fine art prints and sculpture reproduced from Geisel’s original drawings and paintings. In her introduction to the collection Audrey Geisel wrote, “I remember telling Ted that there would come a day when many of his paintings would be seen and he would thus share with his fans another facet of himself – his private self. That day has come. I am glad.”

This historic project has opened the world’s eyes to the unique artistic talent of Dr. Seuss and, as such, galleries, museums, and collectors have helped make Audrey Geisel’s promise, and Dr. Seuss’s dream, a reality.

™ & © Dr. Seuss Enterprises, L.P. All Rights Reserved