Alistair McDonald
Farmlet and Road to the Remarkables $1,850 framed Status: Available
Cass 2025 (after Rita Angus) $2,500 framed Status: Available
Kawarau Bridge, Queenstown $3,200 framed Status: Sold
Rita Angus & Douglas Lilburn At McFarlane Street, Mt Victoria 1941 $2,800 framed Status: Sold
Rita Angus Surveys The Southern Alps Near Cass 1936 $2,500 framed Status: Sold
Below Coronet Peak, Queenstown $2,500 framed Status: Available
Castle Hill, Canterbury $2,500 framed Status: Available
Aoraki From Lake Pukaki $1,500 framed Status: Available
Glasshouse Mountains, Queensland $1,500 framed Status: Available
Ruapehu From Ohakune $1,500 framed Status: Sold
Lake McKenzie, RouteburnTrack $1,800 framed Status: Available
Lake Tekapo $1,800 framed Status: Available
Wharariki Beach, Cape Farewell $1,800 framed Status: Available
Robin White At Harbour Cove $1,500 framed Status: Available
Hunter Building, Victoria University $1,300 framed Status: Sold
Lake Hayes From The Remarkables $1,550 framed Status: Sold
Arrowtown to The Remarkables $1,675 framed Status: available
Oriental Bay Boatsheds $2,450 Status: Available
Rotunda at Oriental Bay $2,450 Status: Available
Wynyard Crossing, Bridge at Viaduct Harbour $1,450 framed Status: Available
Viaduct Harbour at Sunset $1,450 framed Status: Available
New Zealand Landscapes – Oils
The object of art is not to reproduce reality, but to create a reality of the same intensity (Giacometti)
Our landscape is a gift – most of the colours and shapes, a series of gorges and bowls shaped by ice and water, never far from the sea, with few flat horizons and the land (visually) bossing the sky.
It’s a dynamic landscape too – Ruamoko, the unborn restless earthquake/volcano god, making his earth mother Papatuanuku “subject to geological change without notice” (Durrant) and his angry teenage brother Tawhiri wearing her down with wind and storm.
Which is an invitation to move the shapes and colours around and change what’s there, as Nature does.
